![]() The phrase that Ruby signs at the end of the film is also a poignant example of how the language can have variations and be personalized by those using it. Coming from a deaf family, it is natural that her first language, and one she is most expressive in, is ASL. Thus, when Ruby tries to explain to her music teacher how she feels when she sings, she shifts to using sign language because English words don’t seem to suffice. It is essential to keep in mind that sign language is not a “hand signal” version of spoken dialogue but a separate language (which differs from place to place, like any other language). Therefore, the film’s multiple deaf cast members bring in their own natural style of conversing in ASL, and dialogues even include idioms and phrases specific to ASL for authenticity.Įven the film’s captions during ASL scenes are essentially translations and are not literal, word for word, representations of what the characters are saying to each other. In fact, the film’s script was apparently adapted into ASL, which is a language with its own grammar and nuances. One of the major aspects that sets ‘CODA’ apart is its authentic use of sign language. As she drives away after one last hug, Ruby leans out of the car and signs to her family as they disappear in the distance. The scene is touching for many reasons, from the Rossi family having to bid goodbye to their youngest member, who has also been their bridge to the hearing world, to Ruby’s exciting new beginning at Berklee. ‘CODA’ ends with Ruby getting into Berklee and moving out of the home she has shared with her family all her life. The Meaning of the Sign at the End of CODA If you’re wondering about the meaning of the sign Ruby makes at the end of ‘CODA,’ we’re here to explain it all to you. In fact, you might have noticed that a few ASL dialogues aren’t even captioned, seemingly because words may not suffice to communicate the feeling. The film feels significantly authentic with extended portions of its dialogues in American Sign Language (ASL). With this in mind, the ending of The Godfather Coda: The Death of Michael Corleone is a fitting one, encompassing the immense emotional and moral depth of a saga that is intrinsically unforgettable.Director Sian Heder’s film gives audiences an intimate look at the family’s dynamics, Ruby’s role in it, and how they fit into the larger community. Vincent’s potential rise as a new power, and eventual fall, indicate that he too will be touched by the quintessential Corleone curse, which is the curse of harboring a guilt so profound, so heavy, that it destroys the ones associated with it. Coppola envisioned Vincent’s reign as deviating from the family’s morals, as he would enter the drug trade, essentially driving the Corleone clan back into corruption, rending the cycle of destruction complete. ![]() If that were to happen, the new ending positions Vincent in the same space of grief, guilt, and anguish as Michael, owing to the fact that he too, is haunted by the death of Mary, the girl he loved. Having lost everything by the end, Michael is an intensely lonely soul, with no one to turn to, with no hope, no respite.Īccording to Coppola and author Mario Puzo, the duo envisioned another arc for Vincent Mancini (Andy Garcia), the successor to Michael, which could potentially function as source material for The Godfather IV, as per Paramount’s admittance that the sequel could be a possibility. The Godfather Coda also reveals that Michael’s quest for legitimacy is an illusion, as those in power always resort to violence, and their acquired legitimacy is simply a product of crooked power play. “ A Sicilian never forgets”, the audience is reminded, which only serves to highlight how the guilt of not one, but many deaths - Mary, Fredo, Apollonia - haunt Michael, who has now become a shell of the man he once was. The new cut of The Godfather Part III ends by wishing him Cent’anni, which roughly translates a hundred years, which won’t nearly be enough for Michael to atone, as atonement is now beyond him. In an almost cruel manner, Mary ultimately pays with her life for the sins of her father, thereby extinguishing all hope for Michael to achieve expiation in this lifetime. ![]() At the end of The Godfather Coda, redemption eludes Michael, as he is rendered spiritually dead after the loss of Mary, who can be viewed as someone untouched by guile or sin.
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